Published by: zigshop.com
Live sound engineers know that feedback is one of the most frustrating problems that can occur during a performance. It can ruin the sound quality and distract the audience from the performance. Feedback is caused by the sound from the speakers being picked up by the microphones and then amplified again. This creates a loop that results in a loud, high-pitched noise.
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Live sound engineering is a fascinating and challenging field that requires technical expertise, creativity, and a passion for music. Live sound engineers are responsible for ensuring that the sound quality at concerts, festivals, and other live events is top-notch. They work behind the scenes, setting up and operating sound systems, mixing sound levels, and troubleshooting technical issues. If you are interested in pursuing a career in live sound engineering, there are several steps you can take to get started.
Read MoreAuthored by: Lynn Fuston, sweetwater.com
Choosing a snare drum mic is important, as I discussed in “Best Mics for Recording Snare Drums,” but positioning the mic is equally important. Moving the mic as little as an inch can change the sound you’re getting from the snare. Many factors affect the snare sound: proximity of the mic to the drum shell, the distance from the mic to the head, and even the angle of incidence (whether the mic is pointing across the head or down at the head). Here are some tips for positioning a snare drum mic to get the sound you want.
Read MoreAuthored by: Mac McDonough, sweetwater.com
Why go wireless? Is it worth the investment? For many artists, presenters, and performers, the answer is an emphatic “yes” for the same reason that our consumer devices, such as laptops, computer peripherals, and smartphones, operate via Wi-Fi and Bluetooth: it’s simply more convenient. What’s more, wireless microphones offer numerous advantages over their wired counterparts.
Read MorePublished by: sweetwater.com
These days, the ever-growing number of streaming services and external HDMI devices makes finding your favorite TV shows or movies on demand an easy feat. So, why do cinema fans continue to make their way to the theater on a regular basis? It’s not just the size of the screen — a larger, advanced sound system often provides patrons with a level of immersion that standard television speakers simply can’t match.
Read MoreAuthored by: Mac McDonough, sweetwater.com
From subtle air to washes of lush ambience, reverb is one of the audio engineer’s most often used tools — it’s common to almost every musical recording that exists. With today’s plug-ins and multi-effects processors, you get a myriad of different types of reverbs to choose from. The halls, chambers, and rooms successfully replicate the sounds of actual physical spaces. Other types such as plates and springs re-create the effects of man-made devices. So, what are the differences between these types of reverbs? And what sources should you use them on?
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